Dal 7 febbraio 2001: incursioni e riflessioni di Alberto Biraghi, figlio di Milano, cittadino d'Europa.
«I screamed my first “kiai” in managed to put together a good a taxi, showing a piece of paper where September 1971 in a Shotokan karate gym. Those were the years of the first Shaws Brothers’ movies and I was thrilled by kungfu…». Questo è l’inizio . . .
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Un “oi-tzuki” tirato a settembre 1971 segna l’inizio dei miei primi cinquant’anni marziali. La lezione di karate Shotokan dell’esordio ebbe luogo nella palestra Kenyukai di Milano, in un gruppo messo assieme dall’amico Vittorio, il quale “faceva karate” (per favore: “ká-rá-té”, non “karàte”, tipo Carate Brianza) da . . .
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Hung Kuen stances: a correct execution is the most important assumption for the serious student. In every martial art the forms are basically a symbolic (if not “metaphoric”) way to avoid the contaminations, aimed to keep and hand down the set as pure as possible. But every student . . .
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A volte è troppo difficile accettare gli eventi della vita e la morte improvvisa di Max Repossi è il più difficile. Una perdita di cui non si capisce il senso, a un’età in cui non si dovrebbe morire.
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Western students of Chinese martial arts, especially those who make a life out of them, are in big troubles with the inflation of the term “sifu”. The problem: if you accept that any muscled poser who learned three moves on YouTube can define himself “sifu”, . . .
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Fu Hok Seung Ying Kuen (“tiger and crane double fist”), or “Fu Hok” as it is usually referred to, is an icon of the Hung school and one of the best known Chinese sets in the martial world. In this article, connected with the videos . . .
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The Twelve Bridges join the two basic martial elements, deeply interpenetrated and inseparable, foundation of every martial art: the internal element (i.e. the emotional attitude and the connection between thought and action) and the external element (i.e. the physical action and the connection with the . . .
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In the days of the COVID-19 pestilence, after a long reflection, I decided to share with the world in a series of 27 videos the Tit Sin Kuen form that I received from my master Chan Hon Chung in 1984. I gave the reasons in . . .
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Ho conosciuto il fratello 溫雄 nel 1977, in occasione del mio primo soggiorno a Hong Kong. Dopo l’emozione iniziale l’Hon Chung Gymnasium cominciava a diventarmi familiare. E dopo la diffidenza iniziale i ragazzi della Hon Chung Gymnasium Stdent Union diventavano sempre più cordiali e accoglienti.
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What is the Tit Sin Kuen meaning and its technical value in the martial evolution of the Hung Kuen school practitioner?
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A significant number of Hung Kuen common errors appeared as a consequence of the social and cultural transformation of Hong Kong. Back in the last Century learning some good Chinese kungfu was straight forward: select a style (Hung Kuen, Tang Lang, Wing Chun, …) and . . .
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In my 47 years (ouch!) of constant practice, my perception of the martial arts evolved. But the trigger that launched the reflection that brought to these considerations was meeting Dorillo Rota, an awesome martialist of great human value, who has devoted his enormous experience to . . .
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Agter more than 44 years training the kung fu learned from master Chan Hon Chung, I still consider the traditional methods of teaching and training as the only way to preserve the conceptual nature of Hung Kuen and to understand its fundamental principles. Some considerations . . .
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This article considers the necessity of a conceptual approach to Hung Kuen forms execution to preserve the purity of the style as taught by master Chan Hon Chung in his gym at 729 Nathan Road. I studied with master Chan from 1977 until the shutdown . . .
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You can be European or Chinese, you may have been born 20 years ago or in 1945, you can call yourself a beginner or a “grandmaster”, but if your advanced position is unnaturally low, your hip is open and your back foot points out, you . . .
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This post is about how I got hold of this original picture taken in 1969 at the fist official meeting of the “Hong Kong Chinese Martial Arts Association Ltd” (renamed “Hong Kong Chinese Martial Arts Dragon and Lion Dance Association Ltd.” in 2006), inspired and . . .
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After the passing of the master, the Hung style of Chan Hon Chung has been undergoing an heavy contamination and modification by external influences, sometimes openly conflicting with an uncontaminated handing down of its pure essence and tradition.
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I heard of a recent flame about “honour and respect” in Chinese martial arts that hit my Hung Kuen brother Che Kong Mak. According to what I understood, he has been criticized for posting a video of him teaching Hung Kuen kung fu to some . . .
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