Hung Kuen: the salute contains the explanation of the breathing secrets.
“This is a great fact that I am sharing now, for the benefit of whoever wants to get it: in our family’s Hung style breathing in never happens while contracting the muscles or even worse executing a technique. For this reason we do not breath in while pulling the hands, as many people of other schools do.” This phrase written in a previous article produced a significant quantity of messages from students interested in a more exhaustive explanation of the matter.
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“In fact, the author seems to make a very pointed argument that Hung Gar is in its essence not a technical system of physical movements, but is instead an expression of culture. He doubts the ability of anyone who was not born within the Chinese language and society to genuinely master the art, let alone teach it. In fact, one cannot help but escape the impression that for him the Chinese martial arts are “authentic” precisely because they emerge from (and ultimately reduce to) an expression of Chinese culture. Still, reading between the lines it seems that he felt that being immersed within his network of Kung Fu Brothers was enough to give him access to some of the inner aspects of the art, and make up for his own lack of deep cultural background.”
Leggi tutto “A great review of my book”
Hung Kuen stances: a correct execution is the most important assumption for the serious student. In every martial art the forms are basically a symbolic (if not “metaphoric”) way to avoid the contaminations, aimed to keep and hand down the set as pure as possible. But every student should know that – albeit in a full respect of the tradition – a significant quantity of realism must be kept in the practice. Master Chan Hon Chung granted a great importance to this realism, that was part of his teaching starting from the stances, the actual pillars of the whole system. The old master always pushed us to keep realism in our practice of the forms, explaining that the Hung style is not about dancing or showing off, but it’s about fighting, for real.
Leggi tutto “Hung Kuen stances: how to avoid the pollutions”
A few words about the “one finger bridge” and the “three extensions”. Back in the days in the Hon Chung Gymnasium in Hong Kong this gesture – so peculiar to Hung Kuen and a significant symbol in the Chinese secret societies tradition – was held in great consideration and trained with care.
Leggi tutto “Tips for a pure “one finger bridge””
Back in the days – late Seventies to late Eighties – when I was spending most of my free time in Hong Kong to learn the Hung style from master Chan Hon Chung, there was no the “lineage” thing, nor there was the rivalry that creates a climate of suspicion and a somehow wary atmosphere in today’s Hung Kuen world. Master Chan was the undisputed noble father of our style and – in many terms – of the Honk Kong Chinese martial arts world. No one questioned his role, after all he was Lam Sai Wing’s best known student and a respected bonesetter, had a four pages business card crammed with “chairman” and “president” titles, a prestigious martial curriculum. And – most of all – to no other kung fu master had been offered the honor of receiving the Medal of Glory and being introduced to Elizabeth II, queen of the British colony of Hong Kong, oddly not hated, if not respected, by the Hong Kong people.
Leggi tutto “Master Chan Hon Chung, the good masters and the bad masters”
“Check out one of the best Hung Ga Kyun books I had pleasure to read in years (and download a free sample here). Hung Ga Story is a memoir of Alberto Biraghi and his martial arts journey. Alberto studied the traditional Hung Ga Kyun in Hong Kong with the late Grand Master Chan Hon Chung, spending with him more than a month per year from 1977 until the closing of his historic gym at 729 of Nathan Road” (Pavel Macek).
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L’altro giorno su uno dei vari gruppi dello stile Hung che si trovano su Facebook un sedicente “maestro di Hung Gar” ha postato questa foto. Sarà sicuramente un grande atleta e uno spaccamontagne, visto che insegna anche arti specifiche di combattimento, ma una cosa è certa: è tutto, tranne che un maestro (ma neppure un “istruttore”) di Hung Kuen.
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I had the honor to learn Tit Sin Kuen, the ultimate form of the Hung Kuen school, 30 years ago from master Chan Hon Chung, in his country house and to refine it with my elder brother Cheung Yee Keung. I kept a daily written trace of what I learned and spent a few hour asking question to master Chan with the help of my elder brother Chan Kwoon Kwok. In my old paper notebook I still have pages of pages of notes, memories, drawings, comments.
Leggi tutto “Tit Sin Kuen: common errors”
I see more and more people posting on Fabebook and/or YouTube pictures and videos of themselves engaged in the practice of Tit Sin Kuen. I would like to tell them that this act is wrong, dangerous and not in line with our Hung Kuen tradition.
In the Hung Kuen story, TSK is the last and ultimate form to be learned by a pratictioner. But in the serious schools it is not “taught” (nor it is shown or demonstrated), rather it is “handed down” by the good master – in special circumstances by the elder brother – when he considers that a student has attained a full and deep knowledge of the style.
Leggi tutto “Tit Sin Kuen: forget YouTube and the “workshops””