Dal 7 febbraio 2001: incursioni e riflessioni di Alberto Biraghi, figlio di Milano, cittadino d'Europa.
The Twelve Bridges join the two basic martial elements, deeply interpenetrated and inseparable, foundation of every martial art: the internal element (i.e. the emotional attitude and the connection between thought and action) and the external element (i.e. the physical action and the connection with the . . .
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In the days of the COVID-19 pestilence, after a long reflection, I decided to share with the world in a series of 27 videos the Tit Sin Kuen form that I received from my master Chan Hon Chung in 1984. I gave the reasons in . . .
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What is the Tit Sin Kuen meaning and its technical value in the martial evolution of the Hung Kuen school practitioner?
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After the passing of the master, the Hung style of Chan Hon Chung has been undergoing an heavy contamination and modification by external influences, sometimes openly conflicting with an uncontaminated handing down of its pure essence and tradition.
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Again with this great Hung style performer. In the previous article I explained as this video confirms my theory of of a few movements added by my brother Cheung Yee Keung to Chan Hon Chung’s Tit Sin Kuen just before the first unicorn step. But . . .
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I found a YouTube channel with a few videos of a guy performing the Tit Sin Kuen and some other forms of the Hung Kuen style. His kung fu is 95% similar to the one that my master Chan Hon Chung taught in the late Seventies . . .
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E’ accaduto un evento eccezionale l’altro giorno, perché – almeno da quanto mi risulta – mio fratello maggiore Cheung Yee Keung non aveva mai dimostrato in pubblico il nostro “filo di ferro”. Lo ha fatto pochi giorni fa in occasione della serata di commemorazione del maestro Chan . . .
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“This is a great fact that I am sharing now, for the benefit of whoever wants to get it: in our family’s Hung style breathing in never happens while contracting the muscles or even worse executing a technique. For this reason we do not breath in while . . .
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A few words about the “one finger bridge” and the “three extensions”. Back in the days in the Hon Chung Gymnasium in Hong Kong this gesture – so peculiar to Hung Kuen and a significant symbol in the Chinese secret societies tradition – was held . . .
Continua a leggereI see more and more people posting on Fabebook and/or YouTube pictures and videos of themselves engaged in the practice of Tit Sin Kuen. I would like to tell them that this act is wrong, dangerous and not in line with our Hung Kuen tradition. . . .
Continua a leggerePremessa. Fino a metà anni 2000 ben pochi in Europa avevano sentito parlare di Hung Kuen (letteralmente: il “pugno”, ovvero lo “stile” di Hung) detto anche Hung Gar, la famiglia di Hung (ma a me piace di più “Kuen”, perché per me “famiglia” è la . . .
Continua a leggereChinese kung fu is about sincerity and loyalty. It’s about passing on and sharing culture and correct information. Chinese kung fu is about brotherhood and mutual aid, regardless of the seniority and respective experience of those who practice it. There’s never mystification or obfuscation in a traditional . . .
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